Werner Nekes Movies

"KELEK belongs to the 'structural' or 'minimal' cinema movement in that its content is subordinated to the viewer's perception and has no intrinsic...

A part of Werner Nekes' lyrical anthology DIWAN.

The film is divided into five parts differing in pictorial and musical structure. The plot, two women and their love for one another, is of secondary...

"HURRYCAN has nothing to do with whirlwinds, although in this Nekes film the pictures journey across the screen, excitedly, spasmodically and...

A film by Werner Nekes.

In “jüm-jüm” by Dore 0. and Werner Nekes, a girl swings for 10 minutes in front of a movie screen, on which is painted a...

Hynningen (Swedish for ‘honey roof’) begins with long multiple exposures of a landscape with a clearing, opening up to the horizon.

SPACECUT makes the frame a very strong culminating structure. Every frame is different, yet the almost half hour assembly of images results in a...

Picture montage was a central aspect in the early history of visual media. As early as the 16th century, techniques such as the folding picture...

An experimental film where a particular space is constantly "present" : there is a complex usage of superim- position, and of split-screen effects....

Reel 27 of Gérard Courant’s on-going Cinematon series.

Changing landscape as the same day progresses.

The film traces the history of the camera obscura, the understanding of perspective and anamorphosis, peepshows and it shows the beauty of historical...

The history of the magic lantern with demonstrations of moving slides, watertank or polarisation slides, followed by images on paper, which are...