Guy Debord Movies
- 1983
Koyaanisqatsi
Koyaanisqatsi7.91983HD
Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem...
- 1974
The Society of the Spectacle
The Society of the Spectacle6.71974HD
Guy Debord's analysis of a consumer society.
- 1978
We Spin Around the Night Consumed by the Fire
We Spin Around the Night Consumed by the Fire6.71978HD
A Latin palindrome is the title of Guy Debord's last film, in which he, as narrator, explains that he will make neither concessions to the tastes of...
- 2023
The Last Days of Humanity
The Last Days of Humanity7.42023HD
The panorama of human affairs encounters the “man with a movie camera”. His playground has no boundaries, his curiosity no limits....
- 1975
Refutation of All the Judgements, Pro or Con, Thus Far Rendered on the Film "The Society of the Spectacle"
Refutation of All the Judgements, Pro or Con, Thus Far Rendered on the Film "The Society of the Spectacle"7.21975HD
Refutation of All the Judgements, Pro or Con, Thus Far Rendered on the Film "The Society of the Spectacle"
- 1961
Critique of Separation
Critique of Separation6.81961HD
Debord’s eighteen-minute Critique of Separation directs its experimental attentions to “the documentary.” Debord draws from a...
- 1952
Howlings in Favour of De Sade
Howlings in Favour of De Sade6.71952HD
Debord directed his first film, "Hurlements en faveur de Sade" in 1952 with the voices of Michele Bernstein and Gil Holman. The film has no actual...
- 1959
On the Passage of a Few People through a Relatively Short Period of Time
On the Passage of a Few People through a Relatively Short Period of Time7.61959HD
This short film can be considered as notes on the origins of the situationist movement; notes which thus naturally include a reflection on their own...
- 2007
Lebo, l'ombre et la lumière
Lebo, l'ombre et la lumière02007HD
- 1995
Guy Debord, son art et son temps
Guy Debord, son art et son temps51995HD
Except for a few brief evocations of Debord’s “art” during the first ten minutes or so, most of this “antitelevisual”...