Heiner Müller Movies
- 2012
Rigor Was His Mark of Quality
Rigor Was His Mark of Quality02012HD
Heiner Müller defines Stoicism as an attempt to deal with anarchy. For him, Erich Honecker is an example for "forced stoicism". Müller...
- 1970
Hamletmachine
Hamletmachine01970HD
A filmed Musical adaption of Heiner Müller's 1977 play HAMLETMACHINE preformed at The Castillo Theater in 2002.
- 2004
Der Ausländer
Der Ausländer02004HD
Documentary by Thomas Heise filmed in East Berlin in 1987/88.
- 1993
The Death of Seneca
The Death of Seneca01993HD
Citing Nietzsche, Müller describes the motive of the philologist as "greed," "simply wanting to have everything, grasp everything, know...
- 1990
Die Zeit ist aus den Fugen
Die Zeit ist aus den Fugen01990HD
- 1989
Conversation with Heiner Müller in Garath
Conversation with Heiner Müller in Garath01989HD
In 1989, Heiner Müller staged an unabridged seven-and-a-half hour Hamlet, because in the process of German reunification "a leave-taking from...
- 1997
The Poet as Metaphor Slingshot
The Poet as Metaphor Slingshot01997HD
The point of departure for this discussion is the question of whether the collapse of the Soviet Union is dramatic material. Müller answers with...
- 1995
On the Way to a Theater of Darknesses
On the Way to a Theater of Darknesses01995HD
The conversation begins on the topic of Müller’s plans for new plays. Müller tells us that he has promised to write a libretto for...
- 1991
Every Frozen Structure has its Academy
Every Frozen Structure has its Academy01991HD
At the time of the conversation Heiner Müller was the president of the Academy of Arts - East. At the beginning he describes his daily routine...
- 2009
Ich will nicht wissen, wer ich bin - Heiner Müller
Ich will nicht wissen, wer ich bin - Heiner Müller02009HD
This film not only illuminates Heiner Müller's life and works, it is more about questioning the "Sphinx" of the East and its saying about the...
- 1995
Queen of Hearts on Judgment Day
Queen of Hearts on Judgment Day01995HD
The horizon of this conversation is marked by Müller's personal memories, reflections about ongoing themes in his work, thoughts about his...
- 1993
Anti-Opera
Anti-Opera01993HD
Heiner Müller was invited to a conference in Japan on the fate of opera in the 20th and 21st century. He talks about his flight over Siberia and...
- 1993
Mind, Power, Castration
Mind, Power, Castration01993HD
Here Müller and Kluge explicitly address a theme that is latently present in many of their conversations: the relation of intellectuals to...
- 1996
He Who Smokes Looks Cold-Blooded
He Who Smokes Looks Cold-Blooded01996HD
A few months before his death, Müller responded to the keywords "breathing" and "smoking" with an anecdote that interprets breathing as an...
- 1994
I Owe the World a Dead Person
I Owe the World a Dead Person01994HD
In order to justify interpreting the Oresteia as a representation of the "birth of democracy" (P. Stein), one has to repress a lot, for example the...
- 1987
Robert Wilson and the Civil Wars
Robert Wilson and the Civil Wars01987HD
Robert Wilson and the Civil Wars is an in-depth documentation of Robert Wilson’s ambitious attempt to stage an epic, twelve-hour, multinational...
- 1995
The Voice of the Playwright
The Voice of the Playwright01995HD
One of Müllers's vocal cords was paralyzed as a result of a life-saving radical operation (1995). At the beginning of the discussion Müller...
- 1990
Heiner Müller on Legal Questions
Heiner Müller on Legal Questions01990HD
"The metaphor is cleverer than the author" (Lichtenberg), a "screen," an "instrument for bundling" (Müller), because "everything changes so...