Heiner Müller Movies

  • 2012
    Rigor Was His Mark of Quality

    Rigor Was His Mark of Quality

    Rigor Was His Mark of Quality

    02012HD

    Heiner Müller defines Stoicism as an attempt to deal with anarchy. For him, Erich Honecker is an example for "forced stoicism". Müller...

    Rigor Was His Mark of Quality
  • 1970
    Hamletmachine

    Hamletmachine

    Hamletmachine

    01970HD

    A filmed Musical adaption of Heiner Müller's 1977 play HAMLETMACHINE preformed at The Castillo Theater in 2002.

    Hamletmachine
  • 2004
    Der Ausländer

    Der Ausländer

    Der Ausländer

    02004HD

    Documentary by Thomas Heise filmed in East Berlin in 1987/88.

    Der Ausländer
  • 1993
    The Death of Seneca

    The Death of Seneca

    The Death of Seneca

    01993HD

    Citing Nietzsche, Müller describes the motive of the philologist as "greed," "simply wanting to have everything, grasp everything, know...

    The Death of Seneca
  • 1990
    Die Zeit ist aus den Fugen

    Die Zeit ist aus den Fugen

    Die Zeit ist aus den Fugen

    01990HD

    Die Zeit ist aus den Fugen
  • 1989
    Conversation with Heiner Müller in Garath

    Conversation with Heiner Müller in Garath

    Conversation with Heiner Müller in Garath

    01989HD

    In 1989, Heiner Müller staged an unabridged seven-and-a-half hour Hamlet, because in the process of German reunification "a leave-taking from...

    Conversation with Heiner Müller in Garath
  • 1997
    The Poet as Metaphor Slingshot

    The Poet as Metaphor Slingshot

    The Poet as Metaphor Slingshot

    01997HD

    The point of departure for this discussion is the question of whether the collapse of the Soviet Union is dramatic material. Müller answers with...

    The Poet as Metaphor Slingshot
  • 1995
    On the Way to a Theater of Darknesses

    On the Way to a Theater of Darknesses

    On the Way to a Theater of Darknesses

    01995HD

    The conversation begins on the topic of Müller’s plans for new plays. Müller tells us that he has promised to write a libretto for...

    On the Way to a Theater of Darknesses
  • 1991
    Every Frozen Structure has its Academy

    Every Frozen Structure has its Academy

    Every Frozen Structure has its Academy

    01991HD

    At the time of the conversation Heiner Müller was the president of the Academy of Arts - East. At the beginning he describes his daily routine...

    Every Frozen Structure has its Academy
  • 2009
    Ich will nicht wissen, wer ich bin - Heiner Müller

    Ich will nicht wissen, wer ich bin - Heiner Müller

    Ich will nicht wissen, wer ich bin - Heiner Müller

    02009HD

    This film not only illuminates Heiner Müller's life and works, it is more about questioning the "Sphinx" of the East and its saying about the...

    Ich will nicht wissen, wer ich bin - Heiner Müller
  • 1995
    Queen of Hearts on Judgment Day

    Queen of Hearts on Judgment Day

    Queen of Hearts on Judgment Day

    01995HD

    The horizon of this conversation is marked by Müller's personal memories, reflections about ongoing themes in his work, thoughts about his...

    Queen of Hearts on Judgment Day
  • 1993
    Anti-Opera

    Anti-Opera

    Anti-Opera

    01993HD

    Heiner Müller was invited to a conference in Japan on the fate of opera in the 20th and 21st century. He talks about his flight over Siberia and...

    Anti-Opera
  • 1993
    Mind, Power, Castration

    Mind, Power, Castration

    Mind, Power, Castration

    01993HD

    Here Müller and Kluge explicitly address a theme that is latently present in many of their conversations: the relation of intellectuals to...

    Mind, Power, Castration
  • 1996
    He Who Smokes Looks Cold-Blooded

    He Who Smokes Looks Cold-Blooded

    He Who Smokes Looks Cold-Blooded

    01996HD

    A few months before his death, Müller responded to the keywords "breathing" and "smoking" with an anecdote that interprets breathing as an...

    He Who Smokes Looks Cold-Blooded
  • 1994
    I Owe the World a Dead Person

    I Owe the World a Dead Person

    I Owe the World a Dead Person

    01994HD

    In order to justify interpreting the Oresteia as a representation of the "birth of democracy" (P. Stein), one has to repress a lot, for example the...

    I Owe the World a Dead Person
  • 1987
    Robert Wilson and the Civil Wars

    Robert Wilson and the Civil Wars

    Robert Wilson and the Civil Wars

    01987HD

    Robert Wilson and the Civil Wars is an in-depth documentation of Robert Wilson’s ambitious attempt to stage an epic, twelve-hour, multinational...

    Robert Wilson and the Civil Wars
  • 1995
    The Voice of the Playwright

    The Voice of the Playwright

    The Voice of the Playwright

    01995HD

    One of Müllers's vocal cords was paralyzed as a result of a life-saving radical operation (1995). At the beginning of the discussion Müller...

    The Voice of the Playwright
  • 1990
    Heiner Müller on Legal Questions

    Heiner Müller on Legal Questions

    Heiner Müller on Legal Questions

    01990HD

    "The metaphor is cleverer than the author" (Lichtenberg), a "screen," an "instrument for bundling" (Müller), because "everything changes so...

    Heiner Müller on Legal Questions