Takahiko Iimura Movies

By using simple systems of counting and measuring in film, Iimura has drawn attention to the complexities of our time perception – memory,...

Short work.

Sky and ground which was cut off momentarily / A camera wanders seeking its own shadow / The images which explore the limit / of solitude in New York...

When I came to the USA in the mid 1960s, it was the high point of the Hippie movement and the black riots. I lived in the East village in New York,...

Yomiuri Independent was an annual show between 1949-1963 that exhibited all art that was submitted. Artists in the early 60s began to take advantage...

Takahiko Iimura's Models Series

Takahiko Iimura's Models Series

Takahiko Iimura's Models Series

Models, Reel 2 (B-1~4) consists of four works and is dealt with, different from Reel 1, symbol/words, and the logic in film. First "Counting 1 to 100...

"These two reels (A-1~4, B-1~4) of MODELS I think are unusually important works. You are certainly one of the filmmakers to so explicitly direct your...

In "I Am A Viewer, You Are A Viewer" the performer plays the double role of the performer and the audience simultaneously, talking to his own shadow....

A touching portrait of his partner Akiko and the days following their wedding, Iimura's conceptual rigour loosens in favour of intimacy in Honey...

The 1981 performance Circle & Square by Takahiko Iimura, New York-based Japanese film and video pioneer, evolved from the artist's interest in...

Short film featuring Takahiko and Akiko Iimura

Experimental short by Keiji Aiuchi.

"Of the new foreign work I saw, (at the Avantgarde Film Festival in London) that of Taka Iimura interested me most – His film + & -, using...

An image synthesized version of Mardi Gras festival in New Orleans, in which many colorized images flow slowly left to right as the parade of the...

‘New York Scenes’ (1967) is sketches of certain scenes and portraits in New York including, ‘Linda with a lens’, ‘Fire...

Short film for the "A Commercial for Myself" programme.