Lillian Schwartz Movies

This animation can be watched in 2D or using Chromadepth Glasses in 3D.

An illusion of 3 dimensions is achieved by a blending of mathematics and physics to carry the spectator through a new range of audio and visual...

This animation can be watched in 2D or using Chromadepth Glasses in 3D.

This tape combines live-images filmed in the Yucatan with output from the Paik video-synthesizer ribboned with computer-generated images.

Beginning with footage of sea birds in flight, the film image is then optically scanned and transformed by the computer. The geometric overlay on...

Picture-processed photos from the artist-filmmaker’s family. Faces are abstracted in a divisionistic manner.

A playful concoction of computer produced images, a few hand-animated scenes and shots of lab equipment. Made largely from left-overs from scientific...

Computer generated images used as counterpoint to music “Fantasia & In Nomine” by John Ward, performed by Elizabeth Cohen, Max...

This animation can be watched in 2D or using Chromadepth Glasses in 3D.

A 4 minute film based on flowing changing images from liquid-like faces to flashing abstract imagery.

This animation can be watched in 2D or using Chromadepth Glasses in 3D.

Music by Albert E. Miller. Combination of musicians and dancers in free form movements captured by computer-controlled-video which permits...

This animation can be watched in 2D or using Chromadepth Glasses in 3D.

Changing parameters on mathematical equations.

This animation can be watched in 2D or using Chromadepth Glasses in 3D.

This animation can be watched in 2D or using Chromadepth Glasses in 3D.

Digital Animation | 02"50

The artist uses the computer to accent and control a mime’s disciplined choreography. Studies in facial distortions with lens distortions....

Music by Albert E. Miller. Combination of musicians and dancers in free form movements captured by computer-controlled-video which permits...

The movements of a dancers body are recorded, studied, reshaped, to understand the anatomical ranges of joints. Music by Albert E. Miller.