Paul Sharits Movies

The film consists of seven sections: the first section, "Specimen I," a "flicker" film, is the subject for the other sections of ANALYTICAL STUDIES...

Long after his premature death, the impact of Paul Sharits lingers on. The prominent iconoclast and innovator provoked with fast-flickering,...

The films are of two patients, extracted from a medical film study of brain wave activity during seizures.

The film consists of two identical prints shown simultaneously, one projected inside the image of the other. The inner image is out of sync one...

A series of tail ends of varied strips of film, with sometimes recognizable images dissolving into light flares, appear to run through and off of a...

Footage of a strip of damaged film.

'Rapture' is a fierce vision of a Dionysian experience, a tightly controlled visual statement about the abandonment of self to heightened...

Various gestures of hand held razorblade, single frame exposures.

Streaming, scratched lines continuously appear two at a time over images of flowing water.

The images for this project were first obtained by enlarging, with an optical printer, frames of evenly distributed grain particles from a black and...

Like ANALYTICAL STUDIES I, these short works each develop a different rhythmic and/or melodic idea using only rapid successions of color frames. The...

Film by Paul Sharits presented as double projection theatrically and quadruple projection in galleries.

A highly varied and playful series of short sketches involving induced camera "mistakes," printing "errors" and various "assaults" upon film (some...

Particles throb in three dimensions.

The visual "degeneration" of the image ... through successive rephotography is paralleled by the compression of verbal information to the point of...

Sound Strip / Film Strip is Paul Sharits' first "Locational" work, made in collaboration with Bill Brand. The piece was commissioned for the 1972...

2 screen projection

Paul Sharits short work

A recording of a meeting in the studio where Jeffrey Schier and Woody show colleagues and teachers a new tool. Between 1976 and 1980, Woody and...